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hannah maxwell

I, AmDram
Review by Andy Marshall
​
On entering the Front Room, one of Croydon’s hidden gems, we see Hannah pacing around the stage arranging and fine tuning the furniture like an orchestra tuning up before a performance. We are instantly transported back to her childhood days in Theatreland, Welwyn Garden City. Almost immediately, to get us all in the spirit, she has us all singing in unison. Anyone who has ever been to any theatre show, am dram or otherwisewill instantly recognise the catchy tunes of Sondheim, Gilbert & Sullivan and more. 
 
Hannah’s energetic presence takes us from a mundane train journey to her theatre obsessed family home. But all is not hunky dory. Tensions rise when Hannah comes to terms with her own sexuality and refuses to conform. Being a gay Eliza Doolittle just doesn’t cut it. She takes us on a whirlwind journey, from King’s Cross to Welwyn Garden City and back, from family life to growing up gay in London, from catchy musical ditties to the total thesp in all of us. 
 
Every minute of Hannah’s performance is enchanting, bursting with musical references; it’s impossible not get caught up in it all. As a finale, six of us from the audience (including myself) find ourselves fanning across the stage, being showered with roses. What a performance!

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  • Home
  • About
  • Contact
  • Press
  • Archive - 2015
  • Archive - 2017
  • Archive - 2018
    • Gill Manly
    • Scottee
    • Parabolic Theatre Company
    • Sarah Blanc / DISCO DISCO
    • Vinicius Salles
    • Anusha Subramanyam / SLiDE
    • Pop-Up Opera
    • Richard DeDomenici
    • Anita Wadsworth
    • Soho Theatre / Talawa Theatre Company
    • CroydonWrites 2018 >
      • Gill Manly
      • Scottee
      • Parabolic Theatre Company
      • DISCO DISCO
      • Sarah Blanc
      • Vinicius Salles
      • SLiDE
      • Anusha Subramanyam
      • Pop Up Opera
      • Richard DeDomenici
      • Anita Wadsworth
      • Natasha Marshall
  • ARCHIVE - 2019
    • Paula Varjack
    • Vinicius Salles
    • Two Destination Language
    • Parabolic Theatre Company
    • Sh!t Theatre
    • Vanessa Macaulay
    • Gill Manly & Joanna Scanlan
    • Ellard/Lech
    • Anita Wadsworth
    • Workshop with Catherine Pestano
    • CroydonWrites 2019 >
      • Who we are...
      • Paula Varjack / The Cult of K*nzo
      • Vinicius Salles / Disruptive Narratives
      • Two Destination Language / Fallen Fruit
      • Parabolic Theatre Company / Crisis? What Crisis?
      • Sh!t Theatre / Sh!t Theatre Drink Rum with Expats
      • Vanessa Macaulay / Made not Born
      • Gill Manly & Joanna Scanlan / The Elephant in the Room
      • Ellard & Lech / Döden
      • Anita Wadsworth / Mother
  • ARCHIVE - 2020
    • Grimm's Online
    • Hannah Maxwell
    • Richard DeDomenici & Jess Mabel Jones
    • Tayo Aluko
    • Byron Vincent
    • Ellie Scanlan
    • Jenny Lockyer
    • Teatro Vivo
    • Parabolic Theatre Company
    • Trevor Lock
    • Shaniqua Benjamin & Well Versed Ink
    • Gill Manly Ellie Scanlan
    • SLiDE 2020
  • Archive - 2022
    • CroydonWrites 2022 >
      • Who we are
      • Figs in Wigs
      • Abandoman
      • CroydonBites 8 Oct
      • Varjack-Lowry
      • Croytopia
      • Hannah Maxwell
      • CroydonBites 15 Oct
      • Parabolic Theatre
      • Joanna Scanlan / Mercy
    • Figs in Wigs
    • Abandoman
    • CroydonBites 8th Oct
    • Varjack-Lowry
    • Hannah Maxwell
    • CroydonBites 15th Oct
    • Queer Diary
    • Beeja Dance
    • SLiDE / Aaron Baksh
    • Parabolic Theatre
    • Joanna Scanlan
    • Croytopia