CroydonBites is a programme for local artists with short works, some of them making their debut performances. This event brought together witchcraft, mental health, feminism and evangelical religion in an evening that showcased the diversity in Croydon’s creativity.
Transported – Peace of Mind
Transported is devised and performed by a community drama group based at MIND Croydon. This theatre piece draws on a number of threads as to their experiences of various modes of public transport and mental health issues, and illustrates how all of our states of mind shape our perceptions.
It’s an entertaining show which effortlessly incorporates humour and the more challenging aspects of public transport, as reflected in the authentic voices of its performers. The end result is a well-crafted show that has universal appeal, reflected in the response from the audience in a Q&A following the performance.
For me, this show illustrates one of the reasons why theatre is here – as a way to facilitate an open and vulnerable sharing of our human experience.
We can’t all be field mice – Maria Beadell
Beadell’s solo show illustrates that the old stereotypes casting single independent women as witches and something to be feared are alive and well in new guises.
The play opens with a single bed on the stage and the words: “Croydon is a dangerous place after dark.” Yet, this isn’t for reasons that a modern audience might presume. This play is set centuries ago and it is because of a witch called Old Mother Hot Water. Old Mother Hot Water sits on her bed and converses with the audience, explaining that the myths about her and her appearance are rooted in misogyny. The show then fast-forwards to the present day and Beadell now plays a modern woman, in her forties and without children, still with her single bed and still met with suspicion.
Beadell has an engaging presence on stage. If, like myself, your social media algorithms are skewed to the female perspective, you might not find much new in Beadell’s unpicking of stereotypes. However, it offers an empowering counter-narrative to women who are faced with endless questions about when they’re going to settle down but who, for whatever reason, are treading their own paths that don’t align to society’s pressures and expectations.
Good news – Adeola Yemitan
Electrifying performances and effortless chemistry between Adeola Yemitan and Mohammed Mansaray gave full justice to this powerful work in progress which examines the conflicts that can be present when faith and friendships collide.
Ade attends a church with an evangelical pastor (played by Mansaray) – the character of which draws laughter of recognition from the audience – who proclaims that the Rapture is coming in six days. Ade sets about saving the soul of his estranged friend, even if that means kidnapping.
The script sizzles and the scenes are fast-paced, going back and forth in time, before the heart-wrenching meaning is revealed.
It is a very enjoyable hour which deals with weighty topics like religion in an engaging way. It’s funny and touching and an impressive work in progress.
Yemitan is a writer to watch and I look forward to seeing how this brilliant piece develops.
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